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They participated, often with lavish generosity, because they were eager for a history of German body culture to be told on a larger scale than previously attempted.

Can nude dancing ever transcend an idealizing of the body and achieve the grotesque, satiric form that Rita Aurel, Grit Hegesa, or Valeska Gert created for non-nude dances? Seeing two hot Hollywood babes kiss each other and do so with a smile… Either they are legit actresses or do have feelings for one another.

But this attitude did compromise the perception of modern identity as a condition of nakedness, unveiling, complete disclosure, fearless objectivity.

Therefore, he insisted that the sexes remain segregated in the performance of their nude activities, and nowhere did he include a photo of men and women naked together.

This point receives some initial support from Figure 2.

He saw Nacktkultur as preparation for and an extension of married life, for healthy marriage was the key to preserving racial purity.

Indeed, the greatness of someone such as Mary Wigman appears even more mysterious when one views her achievements in relation to the complex spectrum of dance impulses defining the context in which she worked.

Biographies of Mata Hari invariably teach an archaic moral lesson that more modern innovators in nude dancing were anxious to discredit: that naked dancing actually hides something, a "secret" life whose treacherous desires can have disastrous consequences for entire nations.

Girlkultur Some nude ballets, especially those in the semilegal clubs, reveled in pornographic sensations, whereas others, particularly Charell's, drifted toward an accommodation of the machinelike synchronization of moving bodies found in American-style pageants such as the Ziegfeld Follies although the initial site of the nude ballet was prewar Paris, not New York.

To construct more persuasive answers, it was necessary to recover a great mass of primary material that previous European cultural studies had either ignored altogether or treated as marginal.

Similarly, the flesh itself hides an intricate and mysterious field of invisible activities whose material identity no microscope can yet reveal, activities we designate by such terms as "emotion," "desire," "drive," "consciousness," "memory," "mind," "soul," and "the unconscious.